In American Honey, eighteen-year-old Star has it pretty rough from the very beginning.
Ravenous is a very spicy film, strongly twisted, but in a good way. Extravagant but not overcooked. And, most importantly, made for repeated tasting.
At the beginning of its activity, DreamWorks Animation was able to compete on equal footing with productions from Disney and Pixar. Antz, The Prince of Egypt,...
Child 44 veers toward an overblown comic book aesthetic—irritatingly loud, operating on radical hypotheses and banality.
Free Fire charms with its simplicity. It is a brilliantly staged shootout with guns and words. The action is tense, and the humor hits home.
To sum up, for me it’s a poor mix: a disliked carbon copy of Carrie from 1976, plus idiotic—almost irrationally introduced—modern gadgets
Wild is the Wind is an interesting cinematic experience, allowing viewers to become acquainted with a somewhat different culture of filmmaking.
High-Rise is the most beautifully shot study of human downfall in years. All the component elements worked perfectly.
The plot of Showing Up, though linear and fairly uncomplicated, feels fragmentary and incomplete. It’s essentially a slice of the protagonist’s life
Like a ball rolling down a steep slope, Marty Supreme steadily picks up speed until it can stop in only one way—through a spectacular crash.
