Fans of the genre should be delighted watching Blood Drive, especially those who feed exclusively on nostalgia and reach only for those really bad VHS films.
In the short film Borrowed Time, the filmmakers place trauma under the microscope—trauma that, by refusing to let go of the past, casts a shadow.
Curfew opens with a shot of an old rotary telephone with a handset attached to a coiled cord. It’s a nearly forgotten sight, a relic of...
Perhaps this is precisely how horror should be understood—fear is a consequence of a well-told story, and dread hides between the lines. Wolf illustrates this very nicely.
The Good Time Girls is marked by fantastic cinematography. Genre iconography abounds: the parched prairie, the wooden building and those costumes...
In Geist, bluntness takes the form of… horror. Eleven minutes with this Irish short will show just how close to our hearts that face of terror...
The Blackcoat’s Daughter will most appeal not to those viewers who are satisfied with atmosphere more than content, but to enthusiasts of the dark side of human...
At first glance, Brooklyn seems like another predictable melodrama.
Landscape with Invisible Hand is a film with a multilayered structure, one that invites at least several viewings, each time revealing a different meaning
It is a really solid horror running in high gear, driven by an atmosphere of constant threat.
