Not everything is clear in The Wailing, but thanks to that the horror penetrates under the skin even more strongly - an exceptionally intense experience.
Ponyo tells the story of two families driven by entirely different dynamics. On one side there is overprotectiveness and fear; on the other, trust and bravado.
The Cat Returns redeems itself through solid craftsmanship: beautiful, colorful, and highly detailed animation, excellent music, and smooth editing.
The Greasy Strangler positively seethes with grotesqueness and eccentricity. A midnight movie? Probably not.
Setting aside Sony’s aforementioned nightmares, even the third Ant-Man could probably learn a thing or two from Madame Web.
In Pom Poko, a wide array of themes, motifs, and ideas associated with Studio Ghibli come together and accumulate.
Let the Right One In draws one in, enchants, leaving the final interpretive path to each individual viewer.
The Founder is a solid, by-the-numbers biopic. It’s hard to be bored by it, but equally hard to be deeply moved by any particular element.
Drag Me to Hell is several dozen minutes of pure fun with horror convention. In other words: pure joy of creation and an equally unclouded pleasure...
Wonderstruck is cinema of form. By depriving the actors of their voices, the director directs our attention to the image as the carrier of content and...
