Dark Shadows possessed one element that still sets it apart—an incredibly dense atmosphere of horror and uncertainty, which captivated the hearts of millions.
Die, My Love, one of the most anticipated entries in this year’s Cannes competition, is an ecstatic, feral, and deeply contradictory film.
Wes Anderson seemingly knows exactly what he’s doing—but sadly, he’s lost his way. The Phoenician Scheme is yet another example of the artistic stagnation.
I want to emphasize I was, quite simply, enchanted by Away. This is exactly the kind of variation the science fiction genre needed.
iBoy is a bit like an old mobile phone we’ve grown used to over the years—simple, lacking many functions, with its flaws, but familiar and pleasant...
If you condensed the plot of Hurry Up Tomorrow into 4–5 minutes and imagined it as a visual accompaniment to the song, you’d have a classic...
Night Sky is undoubtedly a title worth noting, especially for those who are not afraid of a higher density of sci-fi content in each episode they...
While Young Ones is mostly escapist entertainment, it doesn’t shy away from weighty ethical questions, chief among them: Does the end always justify the means?
The latest Final Destination entry isn’t trying to revolutionize horror—it’s not even clear whether it will successfully breathe new life into the franchise.
The world of Severance is populated with strange characters, the set design is wonderfully paranoid, all of it enveloped in an impenetrable aura of mystery.
