28 Days Later isn’t without its dated elements. In 2002, there was already a trend toward independent female characters—but they still needed saving by a man.
It’s astonishing how well Queen of Blood presents itself despite such a low budget: the Soviet footage is not only thoughtfully integrated but used sparingly.
The Borgias looks stunning. Every shot is carefully composed, ready to print and hang on a wall, with every other frame clearly inspired by classical painting.
I Don’t Understand You isn’t particularly original, but it doesn’t pretend to be. Craig and Crano deliver solid, enjoyable entertainment to kick off the summer
The first season of Reacher, which adapted the novel that kicked off the series about the titular hero—Killing Floor—took TV screens by storm in 2022.
In the world of Dollhouse, it’s possible to wipe a person’s memories and skills from their brain – creating a true tabula rasa – and imprint...
The Materialists is about the hidden parts of ourselves we try to conceal from the world out of fear—fear of judgment, rejection, and vulnerability.
It seems that The Ritual aimed to stay grounded and faithful to the exorcism documentation it adapts. Unfortunately, it lacks the skill.
Pushing Daisies is – unusually for Bryan Fuller – an optimistic, colorful production, one that you can return to with pleasure even after many years.
In Your Eyes a warm, pleasant story, but the concept begs to be explored in a different style—something a bit grittier, maybe more daring and clever.
