The Break / La trêve is a surprisingly gripping, multi-layered crime story. It didn’t make much of a splash, and that’s a shame. A must-watch!
In 2025, it’s honestly hard to believe that 28 Weeks Later was ever considered good, but it must have met viewers’ expectations back in 2007.
If during the screening you feel—as I did—that Elio is a “fractured” film,, the roots of that impression lie primarily in its complicated production history.
Godless makes its strongest impression at the very beginning. It’s mysterious, bloody, grim, and truly dark, with several sequences that are hard to forget.
At its core, Sean Durkin’s The Nest tells the same story he did nearly ten years earlier in Martha Marcy May Marlene—a story about a lack...
The main character of Yesterday is Jack Malik—a twenty-something musician working in a big-box store to support his struggling artistic career.
The End of the F***ing World has no regard for categories – it transitions between motifs known from teen comedies and gory visions of a would-be...
Coco is crowned with a heart-wrenching finale—surely one of Pixar’s most moving conclusions. It’s the kind of film that’s hard to remain indifferent to.
The Chalk Line is a very solid piece of psychological crime cinema, likely to resonate most with parents — current and future.
Taboo. 1814, Tom Hardy, in a hat and bearing a sizable scar over his eye, strides through the filthy streets between high society and much less...
