Into the Night is not the dreamed-of adaptation of Dukaj’s prose. The writer deserves much more; his artistic thought reaches far beyond uncomplicated tales.
Choose or Die is a clumsy, B-grade movie that doesn’t even qualify as a guilty pleasure. It also reeks of cheap nostalgia-baiting.
Recently, we held a poll for the best Fantastic Four movie – below is the ranking of all five productions, starting with the one that received...
The English Game: matches, rivalry, and in the end friendship across divisions—are these not precisely the kinds of productions we seek in difficult times?
Sphere is an A-class film in terms of cast and production values, but revisiting the film years later reveals that the negative reception was entirely justified
I suspect a significant part of the film’s budget was spent on treats for Indy, as Good Boy is clearly a low-budget film (which is no...
Over seven episodes, I Am Not Okay with This comprises of hesitations, stumblings, comedies of error, and charming moments free of heavy-handed stylization.
Edward Berger’s Conclave, the story of a turbulent struggle for the papal throne, belongs to the category of "films of the moment."
Cattet and Forzani’s films – Reflection in a Dead Diamond included – are cinephilic gems, rich in intertextual references to European genre cinema classics.
Jokes, wordplay, and subtle, witty allusions counterbalance the serious, timely issues tackled by BoJack Horseman, but they never belittle or diminish them.