Death of a Unicorn, with all its flaws, turns out to be a model example of this rule: solid entertainment, constructed as God (the Producer) intended.
Without question, the greatest asset of Good Omens is the cast. One might even say it is the most British undertaking since Harry Potter.
Mr. Jones is another strong entry in Holland’s filmography, demonstrating her ability to tell difficult stories while maintaining high artistic standards.
Together is a good prognosis for the creator’s future — both an honest analysis of a disintegrating relationship and a wild symphony of cracking bones
Night of the Creeps is about playing with clichés, putting them side by side to see the result. Through it all runs genuine respect for cinema.
Three Loves may not be perfect, but it’s bold, distinctive, and proof that there can be flair and finesse in even the most unexpected corners of...
The Life of Chuck is a crowd-pleaser — full of warmth and sympathy for its characters, yet never turning away from the darker elements.
Dawn of the Dead is solid cinema that does not diminish the legacy of Romero’s classic living dead, and... Tom Savini makes a cameo.
Although Pieces of a Woman is an immensely important testimony to a socially tabooed experience, one should not be swayed in judging the film.
Though Days of Wine and Roses may seem like a forgotten film from today’s perspective, for its time, it was a courageous work—one that avoided screen...