We Children from Bahnhof Zoo. Instead of filth there is plush, instead of pessimism – sad-sack commercialism. The path of least resistance.
The Last Duel is a story of despotic men and enslaved women, of the impunity of the former and the unjustified shame of the latter. Of...
I won’t hold back on praise: Behind the Mask: The Rise of Leslie Vernon is one of my personal all-time favorite films. I can watch it...
Night Stalker: The Hunt for a Serial Killer. Looking into the eyes of a monster is not pleasant, it should not be, it also forces one...
It is the year 1944 in Pan's Labyrinth, and in Spain, after the exhausting civil war, the dictatorship of General Francisco Franco has taken hold.
Caught Stealing is, at times, pure Aronofsky distilled to 100%. A protagonist hitting rock bottom, gradually losing everyone and everything he cares about.
Industry is not about social status or the adventures, but rather about the despair gnawing at young people despite an approaching professional breakthrough.
Slender Man is a film without character, with characters without character, and with an antagonist without character. It doesn’t work even as entertainment.
There’s no need to overanalyze—The Naked Gun 2½ is widely regarded as just as good as the original, and personally, I think it’s even better.
30 Coins is an interesting, unique, and memorable work, engaging and incredibly twisted. It is without a doubt a total rollercoaster ride.