Gordon & Paddy can easily evoke associations with the Winnie the Pooh films.
The Dead Don’t Die is a collection of quotations mixed in a cauldron of references and allusions. It's a postmodern pastiche and unfortunately a postmodern mush.
I Lost My Body, in its best moments, brushes up against something akin to revelation; in its weaker ones, it may puzzle with its creative choices.
The film’s refined formal side—rich in detail, color, and ornamentation—makes watching Wolfwalkers feel like leafing through a centuries-old illuminated manuscript.
Iggy Pop is my musical absolute. He is the blueprint of a leader, from which all subsequent rock maniacs bounced. It does not matter whether the...
The Tale of Despereaux is a story about a good king plunged into mourning after his wife dies in an unfortunate accident. It is also a...
Spies in Disguise is a satisfying directorial achievement, one that encourages viewers to root for the characters and follow Bruno and Quane’s future careers.
The atmosphere of Night on Earth, a unique mood built by unconventional music and atypical characters, is situated on the border of mysticism.
Soul maintains a more subdued tone. Docter’s film is more likely to put the viewer in a contemplative mood than to provoke cathartic tears.
Camper is short — only about 80 minutes — which makes it all the more reminiscent of a keepsake holiday video recorded by a group of...
