At first glance, Brooklyn seems like another predictable melodrama.
Landscape with Invisible Hand is a film with a multilayered structure, one that invites at least several viewings, each time revealing a different meaning
It is a really solid horror running in high gear, driven by an atmosphere of constant threat.
In American Honey, eighteen-year-old Star has it pretty rough from the very beginning.
Ravenous is a very spicy film, strongly twisted, but in a good way. Extravagant but not overcooked. And, most importantly, made for repeated tasting.
At the beginning of its activity, DreamWorks Animation was able to compete on equal footing with productions from Disney and Pixar. Antz, The Prince of Egypt,...
Child 44 veers toward an overblown comic book aesthetic—irritatingly loud, operating on radical hypotheses and banality.
Free Fire charms with its simplicity. It is a brilliantly staged shootout with guns and words. The action is tense, and the humor hits home.
To sum up, for me it’s a poor mix: a disliked carbon copy of Carrie from 1976, plus idiotic—almost irrationally introduced—modern gadgets
Wild is the Wind is an interesting cinematic experience, allowing viewers to become acquainted with a somewhat different culture of filmmaking.
