Those About to Die pretends to show something moving to viewers, as if the writer and directors do not understand what contemporary reception of antiquity means
"Twisters" proves that disaster films still have power, and "a tornado is partly what we know, and partly a religion."
Popstar: Never Stop Never Stopping is a brilliant satire, sparing no absurdity that can be mocked. Situational comedy works excellently.
Assassination Nation combines what the best cinema should have — sensory entertainment based on spectacular form, and strong, thought-provoking content.
The horror movie Blue Sunshine is poorly acted, badly written, and even worse directed. It’s impossible to hold back laughter.
"First Blood", Rambo's screen debut is a realistic film, which might surprise those associating the brand with gun and grenade mayhem.
"The Haunting of Sharon Tate" is an offensive exploitation, made just to capitalize on media buzz, dragging the tragically deceased back through blood.
Indeed, Baskin looks like what Lucio Fulci's work might have been if the Italian director had larger budgets and better technology.
12 Angry Men - above all, it is truly impressive how, with such minimal means, one of the best psychological dramas in the history of cinema...
The creators of "Sausage Party: Foodtopia" tried to make up for the visual shortcomings with the script, which worked to some extent.
