The third part of "Beverly Hills Cop" was a financial and artistic failure, burying plans for Axel's return to the screen for a long time.
Last Night in Soho marks an important episode in Edgar Wright’s career, hopefully heralding more non-comedy projects from the British director.
And so, "No Escape," 30 years after my first viewing, has forced me into a reflection quite different from what typical mindless action cinema usually does.
The Queen’s Gambit is a profoundly feminist story. Beth repeatedly overcomes sexism, disregard, and exclusion due to her gender with her outstanding skills.
"Blue Giant" would be a mere shadow of itself without an idea for staging the numerous concert sequences. Thanks to them it becomes exciting.
The inventive world-building is the greatest asset of "Vesper." The post-apocalyptic reality is exceptionally convincing, almost alive.
Angst is one of the most uncompromising, original, and striking works and one of the most evocative nihilistic horror films in the genre's history.
Luca is a cinema of comfort. A cinema of delicate gestures, dealing with balance, the formation of identity, and reminding of the value of every individual.
A Family Affair stands somewhere between a romantic comedy and a light social film. It has a somewhat forced happy ending, instead of trying to break...
Despite having less well-known actors, House of the Dragon has managed to handle the artistic pressure created by the fame of the actors in GoT quite...
