In terms of lineage, Prometheus is closer to *Blade Runner* than to *Alien*. This would be a huge advantage, were it not for the script shallowness.
Jiu Jitsu fails right from the start. The narrative, carried out with full seriousness, becomes increasingly idiotic with each passing scene.
"Borderlands" looks disgusting most of the time—visually, it’s closer to the infamous game adaptations of Uwe Boll than to big-budget Hollywood productions.
"Cutthroat Island" has everything needed to provide an entertaining viewing experience. It practically screams "Adventure" with a capital "A"! Arrrrrrr!
Barbarian fits beautifully into the trend of socially conscious horror, which in recent years has been driven by filmmakers like Jordan Peele.
What happens when you strip Prospect of its science fiction setting? What emerges is a western—and more of a revisionist one.
Although "When the Light Breaks" is already the director's fourth film and he holds an established position in Icelandic cinema, it feels like an inspired debut
Director Teddy Lussi-Modeste proves with The Good Teacher that he knows how to create a powerful, daring drama with social insight.
Stopmotion, a blend of live-action and stop-motion animation, is marketed as a horror film, and to some extent, that is true.
If GoT was like an experienced courtesan, House of the Dragon is still a virgin, reluctant to let its partner in, waiting for that one perfect...