The Good Time Girls is marked by fantastic cinematography. Genre iconography abounds: the parched prairie, the wooden building and those costumes...
Ravenous is a very spicy film, strongly twisted, but in a good way. Extravagant but not overcooked. And, most importantly, made for repeated tasting.
The wonderful cinematography, the electrifying music, the humour, the oneiric atmosphere, and the intelligent references woven into this moving meditation on dying – make up a...
One might ask whether we still need to revisit the pandemic crises and rehash the ideological war of Trump’s America.
The very beginning of The Wind makes it clear what kind of production we are dealing with—one that tells its story primarily through imagery, not dialogue.
Godless makes its strongest impression at the very beginning. It’s mysterious, bloody, grim, and truly dark, with several sequences that are hard to forget.
Man, Pride and Vengeance is one of the rare Westerns set in Europe – and this alone sets Bazzoni’s film apart from the hundreds of 1960s...
While Young Ones is mostly escapist entertainment, it doesn’t shy away from weighty ethical questions, chief among them: Does the end always justify the means?
I’m writing this text right after finishing my rewatch of Serenity, an epilogue to Firefly. I’m sad, I feel like I just have to say “goodbye”...
When the characters of Shoot the Living and Pray for the Dead finally leave the station and begin their trek into Mexico, the tension doesn’t subside.
