The need for evolution ensures that, sooner or later, everyone finds "their" Guadagnino—some, I am certain, will discover him through Queer.
In Requiem for a Dream Aronofsky doesn’t make diagnoses, doesn’t provide recipes, he simply observes us and… has no illusions.
Despite budget constraints, Humanoids from the Deep, directed by Barbara Peeters, is a fairly enjoyable and well-executed monster movie.
The mood of cosmic adventure is perfectly maintained in 2010: The Year We Make Contact; even the scenes that exploit Kubrick’s film are thrilling to watch.
The 1986 Little Shop of Horrors is a remake of the 1960 production by Charles B. Griffith and Roger Corman. Americans love remakes.
The War of the Worlds: Next Century was not accidentally made in the early 1980s. Piotr Szulkin, under the cover of science fiction, made an extraordinary...
With It Comes at Night, it’s worth considering what genre we’re dealing with, not just because of expectations surrounding apocalyptic tale of survivors.
American Perfekt is yet another example that drawing from good influences and having an excellent cast cannot patch up script holes.
If, watching Fahrenheit 451, you preferred to belong to the group running from the fire, who will you be after you turn off the receiver?
JFK Revisited: Through the Looking Glass does not provide definitive answers about the assassination of President Kennedy.
