Screamboat quickly becomes a mechanical checklist of slasher set pieces. It's just another slapdash, half-baked product trying to ride the current trend.
"House of the Devil", Ti West's film (he's responsible for directing, writing, and editing) doesn't immediately turn into a satanic horror, as one might think.
Wall Street: Money Never Sleeps is a decent film, but it lacks both the strength and the unmasking drive of the original.
Sharper is a typical "slow burn" - a thriller that builds up slowly, methodically, to a satisfying and subversive conclusion.
Inside Man is a heist thriller at its best, choosing as its theme the archetype of a bank robbery. And the robber here is a devilishly...
Fans of Breaking Bad, to whom El Camino is mainly addressed, will be satisfied - even if someone has had their own idea about how Jesse's...
From Hell tries to shed some light on the mystery of Jack the Ripper, but his motives and the complexities of his distorted psyche remain unknown.
"The Stranger" by Thomas M. Wright, Netflix's latest crime drama straight from Australia, draws you into the story it tells.
Altered (2006) bears some resemblance to Warning Sign by Greydon Clark and Dreamcatcher by Lawrence Kasdan, but it has a much more interesting premise.
Panic Room will remain memorable thanks to three elements worth remembering: the great opening credits, top-notch cinematography, and Jodie Foster.
