Does The Assessment, the debut feature from a French music video director, have enough freshness to be remembered? Read our review.
Fawlty Towers has not aged, and its quality is evidenced by the fact that, even now—forty six years after the final season aired—it continues to entertain.
Man, Pride and Vengeance is one of the rare Westerns set in Europe – and this alone sets Bazzoni’s film apart from the hundreds of 1960s...
Comparisons to the Alien franchise are inevitable, but Ash is a far more interesting film than Ridley Scott’s recent additions to the series
It is difficult to categorize Please Like Me definitively. On one hand, it is a comedy with plenty of humor, on the other, it tackles some...
Karate Kid: Legends doesn’t try to reinvent the wheel. It is simultaneously a sequel, a legacy sequel, a reboot, and a remake.
By the late 1980s, America experienced a true “vice-mania,” pushing people to cancel their evening plans just to stay home and watch Miami Vice.
It’s reminiscent of Final Destination, – but Countdown prefers sudden demonic appearances and loud sound stings to flashy death sequences.
All We Imagine as Light is, above all, a testament to the director’s remarkable skill and cinematic intelligence. Kapadia crafts a stylish drama
The Night Of has a dense and profoundly gloomy atmosphere, stripped entirely of hope or even occasional glimmers of sunlight. There is no room for them...
