At its core, Sean Durkin’s The Nest tells the same story he did nearly ten years earlier in Martha Marcy May Marlene—a story about a lack...
The main character of Yesterday is Jack Malik—a twenty-something musician working in a big-box store to support his struggling artistic career.
The End of the F***ing World has no regard for categories – it transitions between motifs known from teen comedies and gory visions of a would-be...
Coco is crowned with a heart-wrenching finale—surely one of Pixar’s most moving conclusions. It’s the kind of film that’s hard to remain indifferent to.
The Chalk Line is a very solid piece of psychological crime cinema, likely to resonate most with parents — current and future.
Taboo. 1814, Tom Hardy, in a hat and bearing a sizable scar over his eye, strides through the filthy streets between high society and much less...
28 Days Later isn’t without its dated elements. In 2002, there was already a trend toward independent female characters—but they still needed saving by a man.
It’s astonishing how well Queen of Blood presents itself despite such a low budget: the Soviet footage is not only thoughtfully integrated but used sparingly.
The Borgias looks stunning. Every shot is carefully composed, ready to print and hang on a wall, with every other frame clearly inspired by classical painting.
I Don’t Understand You isn’t particularly original, but it doesn’t pretend to be. Craig and Crano deliver solid, enjoyable entertainment to kick off the summer
