In the audience’s imagination, Titane will likely land somewhere between Only God Forgives, The Guest, and It Follows.
At first glance, Brooklyn seems like another predictable melodrama.
At the beginning of its activity, DreamWorks Animation was able to compete on equal footing with productions from Disney and Pixar. Antz, The Prince of Egypt,...
Child 44 veers toward an overblown comic book aesthetic—irritatingly loud, operating on radical hypotheses and banality.
To sum up, for me it’s a poor mix: a disliked carbon copy of Carrie from 1976, plus idiotic—almost irrationally introduced—modern gadgets
The Lorax is, at its core, rooted in the formula of an anti-utopia. Thneedville is a settlement isolated from the rest of the world by a...
Ponyo tells the story of two families driven by entirely different dynamics. On one side there is overprotectiveness and fear; on the other, trust and bravado.
In Pom Poko, a wide array of themes, motifs, and ideas associated with Studio Ghibli come together and accumulate.
The Founder is a solid, by-the-numbers biopic. It’s hard to be bored by it, but equally hard to be deeply moved by any particular element.
Wonderstruck is cinema of form. By depriving the actors of their voices, the director directs our attention to the image as the carrier of content and...
