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The creator of Blockbuster, has assembled a very talented cast on the set and given them material from which an aura of "charming quirkiness" emanates.
Spending a few hours with The Woods turns out to be a highly satisfying experience. That is probably reason enough to call i a successful endeavor.
Sure, Stutz is a heavily stylized documentary that somewhat artificially addresses the idea of “truth in documentary” and tries to deconstruct the boundaries.
Pelé is a documentary for football fans and for anyone fascinated by the history of South America — as incredible as it is turbulent.
“Jung_E” looks exceptionally solid for a streaming production, both in terms of fight choreography and battle scenes, as well as basic world-building.
The Chalk Line is a very solid piece of psychological crime cinema, likely to resonate most with parents — current and future.
The strength of The Disaster Artist lies not in its freshness but in its daring recreation of the passion that accompanied the making of The Room.
Infiesto is a fairly predictable "procedural", which, in addition, moves through the subsequent stages of the investigation at a surprisingly fast pace.
Do these types of marriage projects have a chance of success? Probably yes, but probably not in the case of Somebody I Used to Know.
On a visual level, Mute is indeed a truly Blade Runner-esque spectacle, with landscapes of a futuristic city and dark alleys lit only by neon lights.
