Roman Polanski: A Film Memoir fulfills its role – it shows us the man, not the statue, offers a good, albeit somewhat superficial, overview of his...
Zenovich in Roman Polanski: Wanted and Desired shows equal respect for both the victim and the accused. In doing so, she wins the viewer’s sympathy...
What? begins in an atmosphere of freedom, cheerful spontaneity. However, the viewer is drawn into the game: grotesque horror combined with comedy
Alien killed the sci-fi horror genre because nothing better in this regard can simply be made. How can you make a detective film after Chinatown?
By touching on the topic of erotic fascinations, Bitter Moon analyzes something much more important: human behaviors, feelings, the destructive power of love.
In Cul-de-sac, Polanski depicts the world as an unsolvable mystery, a universe devoid of overarching meaning. He confronts the audience with a grim reality.
Only Bergman could construct a film in such a way that the viewer felt a kind of existential disgust off-screen. Polanski in Only Bergman in black...
Oliver Twist is not a masterpiece and did not sweep the Oscars. Nevertheless, Polanski made a film with character and emerged from the battle unscathed.
The Fearless Vampire Killers has earned the epithet "cult" in less than thirty years, becoming a kind of cinematic gem despite its commercial failure.
It is a story of war, of people, both perpetrators and victims. The Pianist speaks of helplessness and silence that accompanies the tragedy, a scream of...
