A good horror works this way: despite glaring ugliness, it does not allow you to look away. The Texas Chain Saw Massacre welds you to the...
The Scream series is undeniably one of the most distinctive and influential slasher franchises, which, through its approach and self-awareness, rises above mediocrity.
The Dead Don’t Die is a collection of quotations mixed in a cauldron of references and allusions. It's a postmodern pastiche and unfortunately a postmodern mush.
What Jarmusch presents induces a sensual high; it is like the good stuff consumed by Adam and Eve, and although we know it will stop working soon, we...
In Tideland, reality is not so much distorted as ruled by its own laws. There is no logic or rationalism here, only a child’s unrestrained imagination.
It is very unfortunate that Myers’ story ends this way. Halloween Ends may serve as evidence that it is probably no longer worth returning to this...
Halloween Kills delivers what it promises — solid slasher entertainment, with respect for the classic and an appropriate content of blood spilled across the screen.
Watching Halloween AD 2018 is like listening to a well-remastered favorite album — we know practically every note, but we still enjoy it like children.
I am convinced that if not for Myers breathing down its neck, Halloween III: Season of the Witch would actually have found a group of devoted...
The Halloween brand consists, in fact, of five film series that not only exclude one another, but also intermingle. Which one should we consider the best?
