Slender Man is a film without character, with characters without character, and with an antagonist without character. It doesn’t work even as entertainment.
30 Coins is an interesting, unique, and memorable work, engaging and incredibly twisted. It is without a doubt a total rollercoaster ride.
The Living and the Dead is able to delight with its atmosphere, unpredictability, and at the same time skillfully directed storytelling.
Perhaps if The First Purge had been released in the 1980s on VHS tapes, today it would enjoy cult status and be compared to Walter Hill’s...
The greatest weakness of The Woman in the Yard is its heavy-handedness, which leaves the audience no room for interpretation.
Haunted is the first in a series of novels featuring the character David Ash. It is a pity that other books in this series did not...
Dead Mail is a study of loneliness, obsession, and mental illness, while also touching on racial, social, and homoerotic themes.
The very beginning of The Wind makes it clear what kind of production we are dealing with—one that tells its story primarily through imagery, not dialogue.
![WENT UP THE HILL. An intimate portrait of grief [REVIEW]](https://dev.filmfolly.com/wp-content/uploads/2025/09/WENT-UP-THE-HILL.-An-intimate-portrait-of-grief-REVIEW-1000x600.webp)
![WENT UP THE HILL. An intimate portrait of grief [REVIEW]](https://dev.filmfolly.com/wp-content/uploads/2025/09/WENT-UP-THE-HILL.-An-intimate-portrait-of-grief-REVIEW-400x240.webp)
![WENT UP THE HILL. An intimate portrait of grief [REVIEW]](https://dev.filmfolly.com/wp-content/uploads/2025/09/WENT-UP-THE-HILL.-An-intimate-portrait-of-grief-REVIEW-80x80.webp)
Went up the hill is not another ghost story, but a haunting meditation on how toxic love can outlast death and devastate those left in its...
Ju-On: Origins, three-hour chronicle of death lacks shock value and solid scares, but for a 20-year-old series, it is not bad.
