Infinity Pool is demanding and difficult cinema, but at the same time very satisfying, because it allows one to experience nearly boundary-pushing sensations.
This is cinema that stimulates the brain, hits the stomach, and leaves behind unease.
A low-budget film cannot be made any better. The special effects, the screenplay, the cast—every single aspect of Patchwork provides fantastic entertainment.
Not everything is clear in The Wailing, but thanks to that the horror penetrates under the skin even more strongly - an exceptionally intense experience.
The Greasy Strangler positively seethes with grotesqueness and eccentricity. A midnight movie? Probably not.
In the age of found footage, sloppy handheld camerawork, and an exceptionally limited visual imagination among contemporary horror directors, The Hallow feels like a return to a horror...
If you plan to watch one Polish film in the year that is just ending, let it be The Lure.
At the heart of The Ugly Sister is young Lea Myren in the title role, convincingly portraying a kind but lost girl, increasingly detached from reality.
Even with surrealist body horror aesthetic, it becomes obvious that the The Substance is about the destructiveness that comes from the world of show business.
Hatching fascinates, scares and allows you to think about what kind of parents we are to our children, until it's too late for that.