The Greasy Strangler positively seethes with grotesqueness and eccentricity. A midnight movie? Probably not.
Lake Placid is permeated with a parodic note: at heart, it is above all an unpretentious mockery of monster movie conventions.
Critters, even after all these years, remains a guilty pleasure—especially for those who took their first steps in cinematic awareness back in the days of VHS.
Thanks to distance, awareness, and having fun, the viewer also starts to have fun with the film. Screw all the Annabelle and [REC], watch Zombeavers!!!
Big blockbusters, aiming for a broad audience, have to hold back — but low-budget productions can go wild.
Office Uprising is, in many ways, a rerun — a fusion of themes explored before by other directors.
