Political correctness (as such) isn’t even the biggest sin of The I-Land.
Mare of Easttown is captivating, and there are many reasons for it: a great script, a perfectly chosen cast, and real flesh-and-blood characters.
The greatest danger remains man himself, driven by greed.
Megaville is, above all, science fiction of ideas rather than special effects.
The concept of The Irregulars was fantastic, but at times I had the impression that this was another season of Riverdale, only set in Victorian London.
120 Beats per Minute attempts to show different aspects of the lives of AIDS patients and their struggles as they demand government support.
It’s an intense, thoroughly engaging cinematic experience. Fans of Blue Ruin will undoubtedly find Green Room more than satisfying.
Films about serial killers enjoy quite a decent popularity, nevertheless I doubt whether The Serpent will be one of those titles that will be much talked...
The Iron Claw uses wrestling as a lens through which to explore human drama—proving that those who hunger for applause wrestle with conflicts within themselves.
It was clear that years later, when anyone recalls The Omen, no one will remember that on 6.06.06 film premiered that tried to live up to...
