The Breakfast Club is a wonderful film that asks tough questions and grapples with the challenges of growing up. A must-watch for everyone, regardless of age...
Begotten is usually classified as horror, but orthodox fans of the genre will find nothing to their liking here.
Miller's Crossing is the quintessence of black crime fiction. It's an incredibly gripping tale, brilliantly executed, both visually and narratively.
"Clockwise" is a charming, yet relatively little-known comedy.
The Possession begins and unfolds in a intriguing manner. We are not dealing with a "typical" Christian demon, but with the dybbuk taken from Jewish folklore.
"20 Days in Mariupol" is a documentary account of the history of the besieged city.
The collage of The Watch is made with a keen awareness of cinematic craft. It's good craftsmanship, not eye-catching, but solid nonetheless.
Despite all its flaws, Saturn 3 is worth watching – if not for its unintended comedy, then at least for its stunning visual presentation.
Hell has a very interesting technical side. Unique shots with a characteristic backlighting effect, as well as solidly executed set design.
How to approach The Awakening that, although it cannot fulfill its role as an effective horror, still intrigues with its atmosphere and overall execution?
