Despite false tones, Emily the Criminal offers a lot of good film fun, additionally, one way or another, triggering threads of social criticism.
The plot of Black Christmas might seem formulaic today—a typical teen slasher where a group of young people is eliminated one by one by a mysterious...
A Ghost Story for Christmas. In the UK, there is a long tradition of telling eerie stories at Christmas. A television series was created there that...
Silent Night won’t become a classic that audiences discuss for years or rank alongside Die Hard or Lethal Weapon. However, it’s a decent entry in its...
In The Brave Little Toaster, the relationship between the objects and the child lacks anything unique. It is grounded in mundane, routine interactions,
In popular opinion, Home Alone is precisely such a lighthearted comedy, not a Mariana Trench-deep psychological portrait. That’s true.
Mel Brooks’ Young Frankenstein is an undeniable classic, one of the greatest comedies and also one of the most original perspectives on the Frankenstein story.
Mufasa continues the dismal trend of films made not from the heart but for the wallet. Yet it’s possible to do better, combining quality with profitability.
Wonder is entirely immersed in the aura of religious mysticism that often characterizes horror cinema. Lelio's film is closer to a psychological thriller.
Even if Cocaine Bear suffers from the inequalities of the script, it is compensated by the arrangement of the action and the film as a whole...
