The problem with Mid90s is that Hill has made a narrative film in which he places far greater emphasis on visual atmosphere than on storytelling.
The engine has already worn out, and it’s worth looking for something fresher within the profitable franchise than The Conjuring: Last Rites
Even if there are layers of interesting psychological themes in the plot of Obsession, they are very effectively suppressed by bland and lopsided performance
The decadent flavor of Passages brings to mind the spleen of the French New Wave or its spiritual heirs in the form of creators such as...
While Bring Her Back may not quite be a masterpiece, it’s a top-tier entry in the modern horror genre – and that masterpiece feels just around...
The Quake leaves us with a sobering takeaway: disaster can strike at any moment, and our warning systems may not be enough to protect us.
Panahi returns with a narrative feature that abandons the blending of reality layers—and does so in such style that It Was Just an Accident won the...
Dreams (Sex Love) leans closest to traditional drama, though it still leaves room for subtle humor. The third film wraps up Haugerud’s exploration relationships
With his fourth film, Oliver Laxe emerges as a distinctive name in the landscape of contemporary arthouse cinema. Sirat is his most complete work to date.
Mr. Jones is another strong entry in Holland’s filmography, demonstrating her ability to tell difficult stories while maintaining high artistic standards.