At first glance, "In a Violent Nature" may seem like any other slasher: a masked killer, young people falling victim, an isolated camping trip, and killings.
In "Footprints on the Moon", Bazzoni doesn’t exhaust the audience with endless ambiguities: he ultimately explains everything in a poignant, tragic finale.
"The Last Chase" suffers from plot holes, a formulaic script, and poor acting, but its prophetic value may increase with each passing year.
While "Dead End Drive-In" is competently made (the cinematography and set design are especially good), beneath the interesting form lies little substance.
The only redeeming aspect of "Apartment 7A" is Garner’s portrayal of Terry, as she manages to bring out as much as possible from an underdeveloped character.
"Zoo Zéro" is a bizarre mix of surrealism and science fiction. From the science fiction genre, it borrows a post-apocalyptic reality.
"I'll tell you a story. All you need to do is listen," says the podcaster in "Monolith". But do the creators of this film have anything...
Death Smiles on a Murderer is one of nearly 200 films in the career of Aristide Massaccesi, an Italian director, screenwriter, producer, cinematographer.
The "Prototype" was first aired by the American TV network CBS in December 1983 and then fell into obscurity—unjustly so.
"Hausu" is one of the most unique films in cinema history and continues to astonish. There are no clear reference points for this truly insane movie.
